Also, the soft track Gilheriyaan, the Haryanvi rap and hip-hop Haanikarak Bapu and the Dhakaad number, are in perfect tandem with the narrative.Dangal ( transl. Music director Pritam and lyricist Amitabh Bhattacharya manage an earthy soundtrack with Daler Mehndi’s title track pumping up the adrenaline. And, the debutants Fatima and Sanya are easily this year’s best finds. Sakshi as his wife, is restrained, yet effective. The 51-year-old actor should be complimented for experimenting with his roles, unlike his contemporaries who prefer to play safe. An ungainly Aamir (22 kilos heavier) with grey hair is pitch-perfect as the ziddi yet sensitive parent.
Most importantly, Dangal scores with its first-rate performances. It is to the film’s credit that though Geeta and Babita’s wins are documented, it still manages to engage the viewer with the wrestling tournaments and bring patriotic emotions to the fore. But, messages on our obsession with the male child (prevalent since the dark ages), myopic stand on bringing up our daughters and the administration’s pathetic disposition towards sports, are loud and clear. Of course, a little bit is lost in translation because of the Haryanvi twang. Director Nitesh Tiwari, along with Piyush Gupta, Shreyas Jain and Nikhil Mehrotra should be complimented for their tongue-in-cheek quality, peppered with humour and several poignant father-daughter emotions all through. What works wonderfully here is the writing. Since it encapsulates the historic wins of the Phogats, who brought India glory, the film is also bound to inspire more women to seriously consider kushti as a sport. However, this screen adaptation serves as a recap of their arduous journey and it vigorously recaptures their stubborn father's resolve to make them professional wrestlers against the odds. Dangal Review: In the story department, Dangal offers few surprises because Geeta and Babita's historic wins at the Commonwealth Games and following championships are common knowledge.
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